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Giulio Iacchetti, the italian way of life

Giulio Iacchetti, the italian way of life

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Based in Milan, Giulio Iacchetti has been an industrial designer since 1992. With more than 25 years of experience, he has more than 300 projects to his credit, designing furniture, utensils and specialized products for bathrooms and kitchens. His creations are often formulated to fill a certain need.

Giulio Iacchetti tries to find solutions to problems with always a common goal for each new project that he approaches as a mathematical equation, a problem to be solved. Thus, he assigns a specific theme to it, even if it is not dictated by the client, in order to encompass and define each adventure, to achieve innovative ends. So far, he has thousands of objects to his name, such as chairs, knives, vases, lamps, taps, bags and even pens. This productive industrial designer founded Internoitaliano, a furniture production system celebrating the Italian way of life, in order to internationalize this way of doing things.

The designer believes that it is always possible to be in doubt when it comes to design. “Doubt, he confides, is always part of the creative tension that guides my approach in each project: suggesting an idea, leaving a mark. For example, my design of the ice cube mold in the shape of a gold bar… My works are not going to change the world, but they embody an intangible value, an extra dimension that transcends their value as an everyday object.” Since his beginnings, he has had the chance to collaborate with the biggest names in the creative and industrial field, such as Abet Laminati, Alessi, Artemide, Ceramiche Refin, Fontana Arte, Foscarini, Magis, Moleskine and Pandora design. He is also the artistic director of Danese, Dnd, Internoitaliano, Myhome.

In 2009, he exhibited alone at the Milan Triennale, “Giulio Iacchetti. Disobedient objects”, or disobedient objects, an exhibition that offers a broader perspective on creation and industrial design. He thus presents a selection of his works, the most difficult to define and the most intriguing. He challenges established logic, rejecting the idea of ​​being stuck as a creator of products. In 2001 and 2014 he received the famous Compasso d’Oro, a first time for his spoon and fork for Pandora design and a second time for his series of Sfera manhole covers for Montini. Iacchetti was one of the first to promote collaborative work, forging links with other artists and even with other fields of work. He firmly believes that a project is the result of a shared effort. These purposes are often formulated with objective, a continual pursuit of solutions, in an attempt to fulfill a certain need. Its global resonance consistently leads to clear and functional results.

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Contemporary concept, sober and elegant lines, colors and muted tones resolutely in tune with the times, noble and quality materials… The multiple creations designed and sculpted by Terry Dwan have everything to seduce us. Take a look at this outstanding talent. An architect and designer at the same time, Terry Dawn has, for a long time, established his notoriety on the international scene, thanks to his remarkable style. Based in Milan, this native American but adopted Italian uses a language of her own. Born in 1957, in Santa Monica, California, United States, she began her career after studying engineering and architecture at Rice University, Houston, in addition to training in Fine Arts at Studio Arts Center International (SACI) in Florence, Italy. The designer, who won the Fulbright Fellowship to study the architecture of cemeteries and war monuments in Italy, graduated from Yale University in Architecture in 1984. After an experience alongside Antonio Citterio, with whom she collaborated from 1985 to 1996 and founded the Citterio/Dwan office, working on several projects and residential complexes, fairs and exhibitions, notably in Switzerland, Japan, Germany and Italy, she opened her own design agency in 1992 and got involved in great designs, whether in architecture or decoration. A book entitled Antonio Citterio & Terry Dwan: Ten years of Architecture and Design, signed by Pippo Ciorra, was published on the occasion of the exhibition that the duo organized in Bordeaux in 1993. At the same time, it multiplies design projects for the biggest publishers and won numerous awards at international competitions. In 1996, she began by developing industrial design plans for firms such as Sawaya and Moroni, Electrolux, San Lorenzo and Driade. An accomplished designer, she juggles with forms, materials and concepts, questions obvious codes, experiments and explores eclectic universes: from the architecture of private residences, public buildings and interior decoration, through the design and the from salon and exhibition design to furniture and porcelain or silver objects, she is interested in everything and comes out with flying colors. Marrying current vision with everyday functionality, some of her works are part of the permanent collection of the Design Museum at the Milan Triennale. Passionate, her career is marked by numerous explorations of the material where wood, her material of choice, occupies a privileged place. She enjoys working with it revealing its multiple aesthetic qualities, through several everyday basics, many models of which have become emblematic, such as Maui, seat in scented cedar wood, edited by Riva 1920, and the Napa armchair, object oscillating between functional piece of furniture and biomorphic sculpture, or even Implement, a desk composed of two juxtaposed and misaligned wooden boards. Her collaboration with Driade is crowned by the timeless Burgos and Bedda sofas. A sought-after speaker around the world, Terry Dwan has taught architecture at SACI, Florence, and co-taught architectural heritage conservation at the University of Milan. Since 2006, she has been Dean of the Council of the School of Architecture at Yale University and a member of the SACI Board of Trustees.

 

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